Sunday, March 23, 2025
Greece explores its tourism past with Imagining Greece a bold exhibition revealing how vintage ads and national branding shaped its postwar identity and global image.
Olga Kefalogianni, Greece’s Tourism Minister, is set to launch the thought-provoking exhibition “Imagining Greece: Tourism & Nation Branding 1945–1989”* this Thursday with a ceremonial ribbon-cutting. Hosted at the prestigious Events Hall of the American College of Greece, the exhibition runs from noon to 2:00 PM, promising a compelling dive into the golden era of travel posters, romanticized landscapes, and the not-so-subtle politics of national image-making.
Far from a simple walk down memory lane, Imagining Greece unpacks how post-war Greece, amidst internal recovery and Cold War dynamics, pivoted toward tourism as a lifeline—selling sun-drenched ruins and smiling locals to global travelers in lieu of tackling deeper socioeconomic issues. With minimal commentary and maximum visual flair, the exhibition showcases how the nation crafted its identity to appeal to foreign visitors armed with cameras and a thirst for antiquity.
A Nostalgic Journey in Four Surreal Chapters
Rather than offering a standard chronological walk-through, the exhibit unfolds in four immersive sections that mirror the tourist experience:
- The Picture: Immaculately curated images of Greece—gleaming temples, azure seas, postcard-ready villages—crafted a fantasy of paradise. The illusion was the product.
- The Travel: Tourists arrived wide-eyed, often navigating a comically awkward dance with local culture—asking for Spartan helmets or confusing myth with modernity.
- The Discovery: As visitors explored, locals wrestled with an influx of outsiders who both boosted the economy and clashed with everyday life.
- The Memory: Keychains, photo rolls, and fridge magnets preserved a stylized version of Greece that tourists took home—a souvenir snapshot of an ideal, not a reality.
Expect everything from archival posters and vintage tourism ads to first-hand accounts. The exhibit oozes nostalgia—if nostalgia came with a hint of sunscreen and feta cheese fermenting in a hot car.
How Greece Marketed Itself Into a Myth
At its core, the exhibition explores how Greece, recovering from World War II and internal political upheaval, began to reinvent itself for a jet-set audience. In need of capital and international relevance, the country leaned hard on slogans like “Step Into Antiquity”, building a brand out of ancient ruins, olive oil, and blue skies.
What’s fascinating—and troubling—is how tourism messaging evolved into a form of national identity. While foreigners fell in love with the idealized Greece, many locals were leaving the country in search of better opportunities abroad. This disconnect forms one of the exhibit’s most poignant undercurrents: the tension between myth and reality.
A Retrospective With Sharp Edges
More than just pretty travel ads, Imagining Greece digs into the political, economic, and cultural motivations behind decades of tourism campaigns. It examines how these glossy narratives impacted local communities, shaped economic policy, and left a lasting imprint on how Greece sees itself—and is seen by the world.
Visitors will explore how branding blurred with national identity, how economic survival shaped cultural presentation, and how something as small as a souvenir can shape global perception.
In short, “Imagining Greece” isn’t just about nostalgia—it’s a sharp, satirical, and surprisingly emotional reflection on how a nation sold its soul in pursuit of tourist dollars, leaving behind a sepia-toned legacy of beauty, irony, and myth-making.
Tags: American College of Greece, Cold War, Cultural Exhibition, greece, Greek tourism history, Imagining Greece, nation branding, National Identity, Olga Kefalogianni, Tourism Branding, Travel News, vintage travel ads